Study of a Rearing Horse

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Study of a Rearing Horse

Creator

Jacques Callot

French Artist · 1592–1635

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Legend has it that little Jacques Callot so wanted to be an artist in Rome that he twice ran away from his wealthy parents' home at the duke of Lorraine's court. By 1608 he had apprenticed to engraver and publisher Philippe Thomassin, learning line engraving and copying Flemish art and late Mannerist works in Roman churches. Callot's career really began in Florence in 1612, however, when he began

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Date
about 1616
Medium
Quill and reed pens and brown ink
Culture
French
Department
Drawings
Institution
Getty Museum

This powerful image clearly displays Jacques Callot developing the motif of a rearing horse. He first laid out the sheet horizontally, with the present left side at the top, and lightly sketched the back of the head of a horse in the center of the page. He then turned the sheet vertically and drew the whole animal with a fine, quill pen. Finally, Callot went back over the outlines with a thicker reed pen, adding emphasis and creating a sense of rippling movement with dark, sure strokes. The streaming mane and tail and the unusual vertical format emphasize the upward movement of the rearing horse. Upon completing the large stallion, Callot returned to the quill pen to execute the tiny equine figure in the lower right. More fluid still, the horse and rider capture the movements of its larger counterpart in remarkable detail, down to the glimpse of the underside of the front left hoof between the horse's hind legs. The drawing demonstrates Callot's marvelous capacity to miniaturize motifs in a dashing, shorthand manner.

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