Legend has it that little Jacques Callot so wanted to be an artist in Rome that he twice ran away from his wealthy parents' home at the duke of Lorraine's court. By 1608 he had apprenticed to engraver and publisher Philippe Thomassin, learning line engraving and copying Flemish art and late Mannerist works in Roman churches. Callot's career really began in Florence in 1612, however, when he began