Harvard Art Museums
Charity Treading on Avarice
Giuseppe Mazzuoli
- Date
- c. 1715
- Medium
- Bronze
- Culture
- Italian
- Department
- Department of Paintings, Sculpture & Decorative Arts
- Institution
- Harvard Art Museums
Giuseppe Mazzuoli's allegorical figure of Charity is personified as a mother with three children. As the greatest of all theological virtues, Charity triumphs over the vice of Avarice, represented as a greedy man biting his left hand and clutching a bag of coins with the other. This sculptural group recalls the influence of Gian Lorenzo Bernini, who Mazzuoli often assisted with large public commissions. Among these was the tomb for Pope Alexander VII (1672-78) in Saint Peter's Basilica, for which Mazzuoli sculpted a more than life-sized figure of Charity in marble. This earlier work is recalled here in Mazzuoli's voluptuous bronze figure. The dynamic drapery, multifigured composition, and spiraling movement of the group also point to Mazzuoli's indebtedness to Bernini.
The authoritative record is held by Harvard Art Museums. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Harvard Art Museums and other institutions.

Charity
Cleveland Museum of Art
Charity, plate 38 from Genii and Virtues
Art Institute of Chicago

Adoration of the Magi
Cleveland Museum of Art

Charity (from the Tarocchi, series B: Cosmic Principles & Virtues, #38)
Cleveland Museum of Art
Allegorical Group of Victory Supported by Valor
Art Institute of Chicago
One of the Set of the Four Evangelists: Mark
Art Institute of Chicago
One of the Set of the Four Evangelists: Matthew
Art Institute of Chicago
One of the Set of the Four Evangelists: John
Art Institute of Chicago

Allegory in Honor of Pope Innocent X
Minneapolis Institute of Art
One of the Set of the Four Evangelists: Luke
Art Institute of Chicago
Allegory of Charity
Art Institute of Chicago
The Annunciation
Art Institute of Chicago