Joconde
Fabrication du cantal - pressage du caillé (titre inscrit)
Perrot René
- Date
- 1944
- Medium
- mine de plomb, plume, encre (noire), papier
- Department
- musée des civilisations de l'Europe et de la Méditerranée, Marseille
- Institution
- Joconde
inscription concernant la représentation
The authoritative record is held by Joconde. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Joconde and other institutions.
A Boat-Manoeuvre. The Captain yelling in his trumpet: “- Gabier! There is a squall building up, get ready!..... Clew up all the sails!... That's good:.... very good! - Why didn't you say that to me calmly instead of poking this huge instrument into my ear! Now I am so deaf, I can't see clearly anymore!...,” plate 9 from Les Canotiers Parisiens
Art Institute of Chicago

Canal aux Martigues
Cleveland Museum of Art
Siege of the Citadel of Saint Martin on the Isle de Ré
Art Institute of Chicago
“- I'll go public with my business.... this is the right moment... I form a company with a capital of 3 Million Francs..... for the production of artifical plums!.... - I can already see you coming, you will ask me for the kernels,” plate 1 from Les Faiseurs D'affaires
Art Institute of Chicago
The Canal, from Cahier de six eaux-fortes, vues de Hollande
Art Institute of Chicago

The Canal at Fontainebleau
Cleveland Museum of Art

Canal at Martiques
Cleveland Museum of Art
A Man Saved Against his Will, plate seven from Les Canotiers Parisiens
Art Institute of Chicago
An Encounter in Open Water, plate eleven from Les Canotiers Parisiens
Art Institute of Chicago

Le Canal: Effet du matin
Cleveland Museum of Art
“- So, Gringalet from Paris!.... you will dance twice with my Catherine ...... try again now to make sheep's eyes at her,” plate 27 from Pastorales
Art Institute of Chicago
Another Great Man. “I have it in my hand, my dear... here it is in writing.... this document confirms that my invention is a well-pumped and infinitely more clysterized machine than anything invented thus far... all Frenchmen must accept that,” plate 36 from Les Beaux Jours De La Vie
Art Institute of Chicago