
Minneapolis Institute of Art
Al toro y al aire darles calle (Make Way for Bulls and Wind), unpublished plate from Los Proverbios (The Proverbs)
Francisco José de Goya y LucientesLinkedCulture matchlcp-637ac1088cb7
From the Minneapolis Institute of Art record
LinkedCulture assembled this text from several fields of Minneapolis Institute of Art’s catalogue record, so it is not the museum’s own wording as published. See “How LinkedCulture maps this record” below.
Minneapolis Institute of Art’s catalogue record
- Dated
- c. 1824 (published 1877)
- Artist
- Francisco José de Goya y Lucientes
- Department
- European Art
- Credit
- The Richard Lewis Hillstrom Fund
- Medium
- Etching, aquatint, and drypoint in sienna ink
Taken from LinkedCulture’s stored copy of Minneapolis Institute of Art’s record. A fresh capture of the museum’s own record has not been made for this object yet.
From LinkedCulture
Around 1824, Francisco Goya printed this image of three bulls crashing across a near-black ground, with a fourth creature hurled upward and inverted in the upper right corner, all human presence stripped away. Made in etching, aquatint, and drypoint in warm sienna ink, it belongs to his series Los Proverbios, plates so politically charged they stayed unpublished until 1877. This print survives as a rare, direct record of the freedom Goya allowed himself in exile, writing for no one's approval but his own.
Written by LinkedCulture for its video on this object. Machine-generated (claude-sonnet-4-6), not yet reviewed by a person. It is not part of the museum’s record.
What the image shows
Four bulls are depicted in dynamic motion against a dark background.
Generated by LinkedCulture from the photograph alone, without the museum’s catalogue text (Qwen/Qwen2.5-VL-7B-Instruct), and not yet reviewed by a person. It describes the picture, not the object’s history, and it is not part of the museum’s record.
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata. The fields above are the museum’s, under its own labels. LinkedCulture’s derived fields are listed separately below and marked as ours.
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How LinkedCulture maps this record
To search objects from different museums together, LinkedCulture reads each museum’s record into a common set of fields. The values below are LinkedCulture’s, under LinkedCulture’s names. They are not Minneapolis Institute of Art’s wording; the museum’s own record is shown above under its own labels.
- Object ID
- 104139
- Object Type
- Prints
- Minneapolis Institute of Art field “Classification” · the first available of several museum fields
- Minneapolis Institute of Art field “Object Name” · the first available of several museum fields
- Creator
- Francisco José de Goya y Lucientes
- Minneapolis Institute of Art field “Artist” · copied as is
- Medium
- Etching, aquatint, and drypoint in sienna ink
- Minneapolis Institute of Art field “Medium” · copied as is
- Department
- European Art
- Minneapolis Institute of Art field “Department” · copied as is
- Credit Line
- The Richard Lewis Hillstrom Fund
- Minneapolis Institute of Art field “Credit” · copied as is
- Date
- c. 1824 (published 1877)
- Minneapolis Institute of Art field “Dated” · copied as is
- Begin Year
- 1824
- Minneapolis Institute of Art field “Dated” · derived by LinkedCulture from the museum field
- End Year
- 1824
- Minneapolis Institute of Art field “Dated” · derived by LinkedCulture from the museum field
The museum’s own record has not been captured for this object yet, so the museum fields shown above are limited to values LinkedCulture stored unchanged.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.