Minneapolis Institute of Art

Vertumnus and Pomona

Engraver: Jan Saenredam; Designer: After a design by Abraham Bloemaert

Date

1605 (printed later)

Medium

Engraving

Department

European Art

Institution

Minneapolis Institute of Art

The story of Vertumnus and Pomona dates to Roman antiquity, but was made popular and accessible through Ovid’s Metamorphoses. Vertumnus, the god of seasonal change, had designs on Pomona, the goddess of orchards and gardens—her name remaining familiar through the word pomegranate or the French word for apple. She was a beauty with a reputation for thwarting male advances. Bloemaert appropriately showed her surrounded by an abundance of luscious produce, and—given her reputation in the realm of romance—her sickle may have had uses that would give a man pause. But Vertumnus had a plan: he disguised himself as an old woman to gain entry into Pomona’s garden, and there gave her counsel against rejecting suitors, eventually seducing her himself. The choice of the Vertumnus and Pomona as a subject is typical of the late Mannerist phase. Earlier on, artists had sought esoteric, obscure subjects, but as time passed, they gravitated to more widely known stories, especially erotic tales available in the Metamorphoses. Netherlands, Europe

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