
Minneapolis Institute of Art
Disparate: Que Guerrero
Francisco José de Goya y Lucientes
- Date
- c. 1820
- Medium
- Etching and aquatint
- Department
- European Art
- Institution
- Minneapolis Institute of Art
In this nightmarish image, a shadowy group of small figures cowers before two large figures, one obscured by his cape, the other in silhouette but clearly wielding a sword in his upraised hand. Just one of the small figures is illuminated, a man who turns away from the looming giants. Is he retreating, or is he showing them his rear? As is the case with the other plates in Goya’s series, called Los Proverbios or Disperates [Follies], this image is difficult to pin down. France, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

Disparate de bestia, Otras leyes por el pueblo (Animal Folly or Other Laws for the People), from the series Los Disparates (The Follies) or Los Proverbios
Minneapolis Institute of Art
Soldiers Frightened by a Phantom, from Disparates, published as plate 2 in Los Proverbios
Art Institute of Chicago

Disparate desordenado (Disorderly Folly)
Minneapolis Institute of Art

Unbridled Folly
Minneapolis Institute of Art
Merry Folly, from Disparates, published as plate 12 in Los Proverbios
Art Institute of Chicago

Bobalicón (Simpleton)
Minneapolis Institute of Art

De que mal morira?
Minneapolis Institute of Art
A Way of Flying, from Disparates, published as plate 13 in Los Proverbios (Proverbs)
Art Institute of Chicago

Que sacrificio!
Minneapolis Institute of Art
Fool’s Folly, from Disparates
Art Institute of Chicago

Aguarda que te unten
Minneapolis Institute of Art

Que se la llevaron
Minneapolis Institute of Art