
Minneapolis Institute of Art
Chinese Landscape after Huang Gongwang
Shi Wenjing; Inscriber: Inscription on box by Gejo KeikokuLinkedCulture matchlcp-1a36523b73c4
- Date
- 18th-19th century
- Medium
- Ink and colors on silk, hanging scroll
- Department
- Asian Art
- Institution
- Minneapolis Institute of Art
- Object ID
- 136221
From the Minneapolis Institute of Art record
This monumental painting combines a variety of imagery associated with the prevailing idea of eremitism: the state of being a hermit and seclusion from society. One popular pattern associated with eremitism is known as “reclusion in a fishing boat.” In early Chinese literary tradition, the archetypal character of the recluse often reflected great wisdom but appeared as a humble man. Fishermen were often described in literature as wise recluses, who took the guise of a humble man. This idea inspired a type of composition called yuyin , sometimes translated into English as “fisherman-recluse” or “reclusion in a fishing boat.” The gentlemen shown sailing off along a mountain stream in this painting are certainly not fishermen but rather recluses. China, Asia
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Provenance & credit
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- Credit line
- The Marguerite S. McNally Endowment for Art Acquisition and the Shirley Mahowald and Henry Kinsell Endowment for Art Acquisition
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