Orpheus and Eurydice in Hades (recto); Triumph of Bacchus in a Landscape (verso)

Minneapolis Institute of Art

Orpheus and Eurydice in Hades (recto); Triumph of Bacchus in a Landscape (verso)

Pietro FancelliLinkedCulture matchlcp-946a36b696d5

Date
c. 1800–1805
Medium
Pen and brown ink over graphite
Department
European Art
Institution
Minneapolis Institute of Art
Object ID
19941

From the Minneapolis Institute of Art record

Dense and rapidly executed, this drawing shows an artist freely exploring a subject for his own creative purposes. In this story from classical mythology, the poet and musician Orpheus attempts to rescue his bride, Eurydice, from the underworld. Journeying down into Hades he secures her release through the power of his music. But Pluto imposes a condition: Orpheus cannot look back at her until the two have emerged into the upper world. Fancelli depicted the fateful moment when Orpheus turns to look. As he grasps at her, Eurydice is pulled back into the depths. In Fancelli’s telling, the story is as much about the underworld as the couple. Pluto and Persephone are shown seated in a circular throne, reigning from above; Cerberus, the three-headed guard dog, snarls at Orpheus’s feet; and the three Fates, at left, measure out the thread of life with chilling indifference. A group of anguished figures crowded together in the sky may represent the region where the wicked are punished. A few have labels identifying the source of their misery: odio (hatred), vendetta (revenge), avarizia (greed). Fantastic airborne creatures—a long-beaked serpent, spiteful harpies, and a small fire-breathing dragon—torment the sinners. Italy, Europe

The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.XWQneeI0zV1DiNRw.fZi4buZ_qUqs67puFm8LYyO3YmIlnrxO9ecJta9W7LS9_8KICsAzHlELtBqe85pzuRCvwYjp4SwoFQj_lROnkBo1BkXmv_HRC_yVQHoyu8i86aWlz1aiNYa3ccFXqbD5n3OdzrLssNWxw12MOH4JUYWV9yX7wu3UXFtuAyV7I3Xgq306h1bodRUFz0tMz8HpbcurP0TnvkDe2UqUnPR9bmPTLy1JkhkPRy82SXbuA30-hYE4cSwfcRyzl66jEpcqTQuMc6ACjJBiRASee at Minneapolis Institute of Art QR destination: https://linkedculture.org/q/q1.nK8Mf_sXZf3M7nRV.WUA4wHRfHRaQCGWL-CKrsyCjcguQqUW4XyzshBsqE-6UVhb29H7biWChKGPqlq4V6LgztiOquHEb5MEh_mHhP8QLODvGKFRUu4Ztsw7wk_q-nY51CiYPir-QB6DmAB3_zNcNLlmwXS00Vs1ho3KY17gIT8ziedXpEAI9gHcHFTotqegKzn_POA-JZQkhUOq-wBdli6YAPLBZb77nGB6PuiiRQ-yTzwPmM4JgtUJh-0FoPgEixFCiuBADtG5KBmwWegpyb7R2OjdrXWZWnPC1
Open this page
See at Minneapolis Institute of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
The David M. Daniels Fund

Related across collections

Semantically similar works from Minneapolis Institute of Art and other institutions.