
Minneapolis Institute of Art
Le Séminaire en Bretange
Jean-Émile Laboureur
- Date
- 1897
- Medium
- Lithograph
- Department
- European Art
- Institution
- Minneapolis Institute of Art
Francis Seymour Haden had an uneven relationship with his young brother-in-law James McNeill Whistler. When Haden etched this view of the river Thames in London-a subject then associated with Whistler-the two were on good terms. Each was recognized for the excellence of his art, and they seemed supportive of each other's successes. In time, however, their relationship grew tainted with rivalry and petty jealousies centered on artistic recognition. In 1867 there was a final break; Haden accused Whistler of immorality, and Whistler threw Haden through the glass window of a Paris restaurant. France, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

Feathers Tavern
Minneapolis Institute of Art

A By-Road in Tipperary
Cleveland Museum of Art
Grey and Silver: Old Battersea Reach
Art Institute of Chicago
The Music Room
Art Institute of Chicago
Reading by Lamplight
Art Institute of Chicago

Boyle's Farm
Minneapolis Institute of Art

Rotherhithe
Minneapolis Institute of Art

Shere Mill Pond (The Larger Plate)
Minneapolis Institute of Art

The Thames
Minneapolis Institute of Art

Confidence in the Garden
Cleveland Museum of Art

The Storm
Cleveland Museum of Art

Stems (A Study)
Minneapolis Institute of Art