
Minneapolis Institute of Art
Death
Christian Rohlfs; Publisher: Die Schaffenden
- Date
- c. 1912–13 (published 1920)
- Medium
- Woodcut in dark blue ink
- Department
- European Art
- Institution
- Minneapolis Institute of Art
Death comes as an angel to embrace a bed-ridden figure. As he does so, he begins the transformation of the body into a skeleton, with his fingers serving as ribs. For many years Christian Rohlfs painted in Naturalistic and then Impressionistic styles, but at the age of 60, he fully adopted the young Expressionists' raw, emotional approach to art. Germany, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.
![Death as Juggler (Revolution) (Tod als Jongleur [Revolution])](https://1.api.artsmia.org/800/125434.jpg)
Death as Juggler (Revolution) (Tod als Jongleur [Revolution])
Minneapolis Institute of Art

The Last Judgment
Cleveland Museum of Art

Dance of Death: Death as a Friend
Cleveland Museum of Art
Young Couple Threatened by Death (The Promenade)
Art Institute of Chicago

The Entombment
Getty Museum

De graflegging over een schets van een beul
Rijksmuseum

Death Seizing a Woman
Minneapolis Institute of Art

The Crucifixion
Getty Museum

The Dance of Death: The Count
Cleveland Museum of Art

De dood verschijnt aan de jonggehuwden
Rijksmuseum

Passion of Jesus Christ: The Descent into Limbo
Cleveland Museum of Art

The Deposition
Getty Museum