Minneapolis Institute of Art

Death as Juggler (Revolution) (Tod als Jongleur [Revolution])

Christian Rohlfs

Date

1918–19

Medium

Woodcut in black and gray on heavy wove paper

Department

European Art

Institution

Minneapolis Institute of Art

World War I threw the German Expressionist artist Chrisitan Rohlfs into a state of despair. He turned to traditional subjects that conveyed both loss and hope. He also amplified the abstract mark-making in his images. Death as a Juggler exhibits these tendencies. The juggling skeleton shocking his audience is a Dance of Death motif, rooted in images such as the dancing skeletons in the Nuremburg Chronicle (1493) and Hans Holbein’s extended cycle of woodcuts (1538). Rohlfs’s image combines humor and horror. Death juggles symbols of power: a crown, an imperial orb, and a scepter. Though Rohlfs’s rendering is sketchy, we can tell that the two recoiling women are well fed and well dressed. Rohlfs’s sardonic humor lampoons the helplessness of authority in the world of 1918, when Death added Spanish flu to the ravages of war. Rolhfs is at his most interesting as a printmaker when he dispenses with graphic clarity. Here he inks the block very unevenly. Much of the surface is filled with irregular striations and spots that breakup the darkness. Rohlfs may have printed this without a press, instead using implements such as a wooden spoon and a stiff brush to apply pressure to the verso of the paper in a manner that caused selective uptake of the ink on the block. The result is an image of exceptional dynamism. The striations dance across the page, and the broken light produces an eerie nighttime effect. Germany, Europe

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