Christ at Emmaus: The Larger Plate

Minneapolis Institute of Art

Christ at Emmaus: The Larger Plate

Rembrandt van RijnLinkedCulture matchlcp-d6807541bb3d

From the Minneapolis Institute of Art record

Rembrandt used the whiteness of his paper in radical ways, content to suggest form with a simple line or two and let the blank paper do the rest. Here the sketchiness of Christ's face is meant to suggest divine revelation. After he rose from the dead, Christ appeared alongside two disciples who were heading to Emmaus. They didn't recognize him but invited him to supper at an inn. When he broke the bread-in the fashion of the Last Supper-recognition dawned on the disciples. In that instant Christ supposedly vanished, which in Rembrandt's conception has already begun. Netherlands, Europe

LinkedCulture assembled this text from several fields of Minneapolis Institute of Art’s catalogue record, so it is not the museum’s own wording as published. See “How LinkedCulture maps this record” below.

Minneapolis Institute of Art’s catalogue record

Dated
1654
Artist
Rembrandt van Rijn
Department
European Art
Credit
The William M. Ladd Collection Gift of Herschel V. Jones, 1916
Medium
Etching and drypoint

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Open this page QR destination: https://linkedculture.org/q/q1.lslCGE9qsUBzLm1m.UjzArjYCBa8ylWLwZULnxc9NAL_2JMsWdiv0BI8DrrXq6WE9e6T-sHjxT_9AqHev-9OshUlj1n0skxGfStAzygRVcpEYbphoPuLeRMXvKGVPE2y8LPsu5ffWv_8kYokF768WRfDq3ewPBhDO1BuSShDyrjuwyx-kF1JKUnbIkDFoCXuCvD0tdpLb2orYU6SB1VMkA2bKLARy8ZG5Ia0NDEKdF-p_Ii6Ijv6ma7N6X3aX0XrF2TVdmyqDjR2bhGYcqyO02WntBaL7aQSee at Minneapolis Institute of Art QR destination: https://linkedculture.org/q/q1.r-3iWvPNtNI_vIDK.pOc2MiD-ty0W74wGOtn_F-UqVb-oCvoVcL171MJGWKu8dGVABZi994G7KAWKsVe7L3owyj3bjncgtQPW0K4_1yfbBeA1-3wJhmo9mFzGFgqXUw_HB1CtgdhrDiJV5_1R5AQyzYjpJDCBDfHs57n_isCqt9HS2ptkxJvq-zmRCcNvh2CIbg98RsQWdBgedfwVpx5Lt4r0jUnWQyi7wS0WI_IkfiN2bsrZXM6daA85pVViq3KEWn9-9aS9JQsZwEpkATdjk8hxqbS8t7Ds8pQA
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How LinkedCulture maps this record

To search objects from different museums together, LinkedCulture reads each museum’s record into a common set of fields. The values below are LinkedCulture’s, under LinkedCulture’s names. They are not Minneapolis Institute of Art’s wording; the museum’s own record is shown above under its own labels.

Object ID
55750
Object Type
Prints
  • Minneapolis Institute of Art field “Classification” · the first available of several museum fields
  • Minneapolis Institute of Art field “Object Name” · the first available of several museum fields
Creator
Rembrandt van Rijn
  • Minneapolis Institute of Art field “Artist” · copied as is
Medium
Etching and drypoint
  • Minneapolis Institute of Art field “Medium” · copied as is
Department
European Art
  • Minneapolis Institute of Art field “Department” · copied as is
Credit Line
The William M. Ladd Collection Gift of Herschel V. Jones, 1916
  • Minneapolis Institute of Art field “Credit” · copied as is
Date
1654
  • Minneapolis Institute of Art field “Dated” · copied as is
Begin Year
1654
  • Minneapolis Institute of Art field “Dated” · derived by LinkedCulture from the museum field
End Year
1654
  • Minneapolis Institute of Art field “Dated” · derived by LinkedCulture from the museum field

The museum’s own record has not been captured for this object yet, so the museum fields shown above are limited to values LinkedCulture stored unchanged.

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