Disparate desordenado (Disorderly Folly)

Minneapolis Institute of Art

Disparate desordenado (Disorderly Folly)

Francisco José de Goya y LucientesLinkedCulture matchlcp-637ac1088cb7

Date
1864
Medium
Etching, aquatint, burnishing, and drypoint
Department
European Art
Institution
Minneapolis Institute of Art
Object ID
58289

This nightmarish scene, in which a group of horrifying supplicants venerate a gruesome double-bodied monster, has been variously interpreted. It would seem most obviously to represent the foolish worship of duplicity. It has also been titled Matrimonial Folly by those who see the monster as representing marriage—that is, a man and woman fitfully and feudally bound together forever. Francisco Goya had depicted the folly of matrimony in an earlier print series called the Caprichos, and it included a similar image of a couple bound together with the caption, Is there no one to untie us? Tomás Harris, on the other hand, associated Disparate desordenado with the Spanish proverb, She who is ill wed never misses a chance to say so, presumably because the female figure is shown to be shrieking. Spain, Europe

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Credit line
The Ethel Morrison Van Derlip Fund, 1968

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