
Minneapolis Institute of Art
Disparate desordenado (Disorderly Folly)
Francisco José de Goya y LucientesLinkedCulture matchlcp-637ac1088cb7
- Date
- 1864
- Medium
- Etching, aquatint, burnishing, and drypoint
- Department
- European Art
- Institution
- Minneapolis Institute of Art
- Object ID
- 58289
This nightmarish scene, in which a group of horrifying supplicants venerate a gruesome double-bodied monster, has been variously interpreted. It would seem most obviously to represent the foolish worship of duplicity. It has also been titled Matrimonial Folly by those who see the monster as representing marriage—that is, a man and woman fitfully and feudally bound together forever. Francisco Goya had depicted the folly of matrimony in an earlier print series called the Caprichos, and it included a similar image of a couple bound together with the caption, Is there no one to untie us? Tomás Harris, on the other hand, associated Disparate desordenado with the Spanish proverb, She who is ill wed never misses a chance to say so, presumably because the female figure is shown to be shrieking. Spain, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- The Ethel Morrison Van Derlip Fund, 1968
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.