
Minneapolis Institute of Art
Edge of the Moor, Brittany
Hugh Bolton Jones
- Date
- 1877
- Medium
- Oil on canvas
- Department
- European Art
- Institution
- Minneapolis Institute of Art
Beneath the fading light of an overcast sky, a solitary woman carries a bundle of sticks down a mossy path. Bare trees rise above her, their branches silhouetted against the clouds. The scene is quiet, almost mournful. There is no majestic scenery to be found, just the slow drama of land giving way to autumn. A Baltimore-based painter, Bolton Jones completed this work while studying in Europe. In 1876, he settled in Pont-Aven, France, where he joined a community of artists working in a style known as the Barbizon School. Named for the forests surrounding the French village of Barbizon, this style emphasized subdued, atmospheric scenes, often within rural or agricultural settings. By the end of the 19th century, Barbizon imagery had replaced the Hudson River School as the most popular form of landscape painting among U.S. collectors.
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

The Crossroads of the Eagle’s Nest, Fontainebleau Forest
Minneapolis Institute of Art
The Marsh
Art Institute of Chicago

Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau
Getty Museum

A Scene on the Tohickon Creek: Autumn
Minneapolis Institute of Art

Winter Landscape
Minneapolis Institute of Art

The Loing River at the Edge of the Forest of Fontainebleau
Getty Museum

Road in the Forest
Cleveland Museum of Art

Landscape at Pont-Aven
Getty Museum
The Song of the Lark
Art Institute of Chicago

Study of a Birch Tree, Barbizon
Cleveland Museum of Art

Landscape with a Bare Tree and a Plowman
Getty Museum
Washerwomen at the Edge of the Pond
Art Institute of Chicago