Minneapolis Institute of Art

The Way Home (Der Nachhausweg), plate from Die Holle (Hell)

Max Beckmann; Printer: J.B. Neumann, Berlin

Date

1919

Medium

Lithograph

Department

European Art

Institution

Minneapolis Institute of Art

The Way Home is the opening scene in Beckmann's acclaimed graphic cycle Die Holle (Hell), a dark and disturbing essay on the collapse of German society in the aftermath of the First World War (1914-18). Set in postwar Berlin, the allegorical scene features Beckmann as a man on his way home who suddenly encounters a horribly disfigured veteran under the light of a street lamp. Bearing the scars of war, the once proud soldier symbolizes the fate of Germany itself, broken and defeated. In the foreground, a menacing black dog warns of the dangers that lie ahead. Beckmann further enhances the tension of the scene by crowding his figures into a shallow pictorial space. Above all, The Way Home is a powerful denouncement of war. Europe

The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.