
Minneapolis Institute of Art
Weary
James Abbott McNeill Whistler
- Date
- 1863
- Medium
- Etching and drypoint
- Department
- Arts of the Americas
- Institution
- Minneapolis Institute of Art
Etched with lines as wispy and insubstantial as our hold on this figure, Weary is one of James McNeill Whistler's most beguiling prints. The subject's languorous pose has been compared to those in works by the Pre-Raphaelites, a group of English artists opposed to the stringent classical beauty espoused by the Academy. The Pre-Raphaelites instead used their friends as models, as Whistler did here. His subject is Joanna Jo Hiffernan, who for six years was his muse and mistress. He shows the Irish beauty with her hair arrayed against a chair, at once open to our gaze but also self-absorbed and distant. The head faintly etched in the lower left corner is a remnant of a previous image, which Whistler neglected to burnish out before reusing the plate for Weary. United States, Americas
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.
Weary
Art Institute of Chicago

Weary
Cleveland Museum of Art
Weary
Art Institute of Chicago
Weary
Art Institute of Chicago
Study: Maud Seated
Art Institute of Chicago

The Old Rag Woman, No. 10
Cleveland Museum of Art

Weary and Dissatisfied with Everything
Cleveland Museum of Art

Weary and Dissatisfied with Everything
Cleveland Museum of Art
James McNeill Whistler
Art Institute of Chicago
Study: Maud Seated
Art Institute of Chicago
Study
Art Institute of Chicago

‘Arrangement in Yellow and Gray’: Effie Deans
Rijksmuseum