
Minneapolis Institute of Art
Le descañona
Francisco José de Goya y Lucientes
- Date
- 1797–98
- Medium
- Etching and aquatint
- Department
- European Art
- Institution
- Minneapolis Institute of Art
Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority. Spain, Europe
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¡Qual la descañonan!
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El de la rollona
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Despacha, que dispiértan
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Ya van desplumados
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Si querbó el Cantaro
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No te escaparàs
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Ensayos
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Las rinde el Sueño
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De que mal morira?
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Y se le quema la Casa
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