
Minneapolis Institute of Art
De que mal morira?
Francisco José de Goya y Lucientes
- Date
- 1797–98
- Medium
- Etching and aquatint
- Department
- European Art
- Institution
- Minneapolis Institute of Art
Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority. Spain, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

Tal para qual
Minneapolis Institute of Art

¡Qual la descañonan!
Minneapolis Institute of Art

Que sacrificio!
Minneapolis Institute of Art

Mala noche
Minneapolis Institute of Art

El amor y la muerte
Minneapolis Institute of Art

Miren que grabes!
Minneapolis Institute of Art

El de la rollona
Minneapolis Institute of Art

Le descañona
Minneapolis Institute of Art

Donde vá mamà?
Minneapolis Institute of Art

Hasta la muerte
Minneapolis Institute of Art

No te escaparàs
Minneapolis Institute of Art

Por que fue sensible
Minneapolis Institute of Art