
Minneapolis Institute of Art
Ensayos
Francisco José de Goya y Lucientes
- Date
- 1797–98
- Medium
- Etching and aquatint
- Department
- European Art
- Institution
- Minneapolis Institute of Art
Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority. Spain, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

Las rinde el Sueño
Minneapolis Institute of Art

No te escaparàs
Minneapolis Institute of Art

La filiacion
Minneapolis Institute of Art

Por que fue sensible
Minneapolis Institute of Art

Brabisimo!
Minneapolis Institute of Art

Le descañona
Minneapolis Institute of Art

El amor y la muerte
Minneapolis Institute of Art

Si querbó el Cantaro
Minneapolis Institute of Art

Tu que no puedes
Minneapolis Institute of Art

Tal para qual
Minneapolis Institute of Art

Que sacrificio!
Minneapolis Institute of Art

Ni asi la distingue
Minneapolis Institute of Art