Despacha, que dispiértan

Minneapolis Institute of Art

Despacha, que dispiértan

Francisco José de Goya y LucientesLinkedCulture matchlcp-637ac1088cb7

Date
1797–98
Medium
Etching and aquatint
Department
European Art
Institution
Minneapolis Institute of Art
Object ID
80388

Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority. Spain, Europe

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Provenance & credit

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Credit line
The William Hood Dunwoody Fund, by exchange, and gift of funds from Mr. and Mrs. John T. Adams, Dr. and Mrs. David Bradford, Mr. and Mrs. Benton J. Case, Mr. and Mrs. W. John Driscoll, and Mr. and Mrs. Reuel Harmon

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