Courtesan Hitomoto of the Daimonjiya

Minneapolis Institute of Art

Courtesan Hitomoto of the Daimonjiya

Kitagawa Utamaro; Publisher: Ōmiya Gonkurō

Date
c. 1801–1802
Medium
Woodblock print (nishiki-e), ink and color on paper
Department
Asian Art
Institution
Minneapolis Institute of Art

From 1775 up until the early 1800s, Utamaro designed more than 1, 800 prints: the vast majority portrayed beautiful women, the market for which he dominated in the early 1790s. This print belongs to one of his later series that portrays six famous courtesans from six different brothels. Given that they are all depicted in a relatively relaxed manner, we are probably meant to see them in terms of how they behave behind the scenes, in private. Hitomoto, who is seen here coquettishly holding a long pipe, was the highest ranking courtesan at the Daimonjiya. Japan, Asia

The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Related across collections

Semantically similar works from Minneapolis Institute of Art and other institutions.