Domenico Campagnola
Italian Artist · 1500–1564
7 works across 2 collections on LinkedCulture
A German artisan's son, child prodigy Domenico Campagnola probably learned from his adopted father, who instructed him in painting, drawing, engraving, and woodcutting. After his father's death around 1516, Campagnola was Venice's foremost printmaker. He innovated by cutting woodblocks himself rather than employing a professional woodcutter. His earliest prints and drawings show the influence of G
Works
View as IIIF ↗Female figure (Saint Catherine?) kneeling on the ground at center pleading to a male figure (Maximus?) who wears a crown and is seated on a throne at right; at left a figure with raised sword about to strike the woman; a group of figures looking on in the background
The Metropolitan Museum of Art · 1517
#372171
Landscape with a Satyr
The Metropolitan Museum of Art · 1535–40
#459433
Landscape with Fortified City and Rising Sun
Getty Museum · about 1516–1517
#08e11c03-35c3-4d5a-b4fb-a963d8391937
Saint Christopher
Getty Museum · about 1520–1525
#a4aef39f-24cb-4f9e-b92e-b3a87db84c4e
Studies of Three Candlesticks
Getty Museum · about 1530–1550
#9ef714a9-4984-455d-b1e5-293571a81b55
The Deposition from the Cross
The Metropolitan Museum of Art · 1537–1550
#343313
The Holy Spirit as a bird descending with spread wings at top center; the twelve Apostles standing below gesturing to it in front of an archway
The Metropolitan Museum of Art · 1518
#372175