The sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night

Cleveland Museum of Art

The sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night

Date
c. 1560
Medium
gum tempera, ink, and gold on paper
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art
Object ID
137488

From the Cleveland Museum of Art record

The loyal sentinel, in orange, holds a knife to his son’s throat, ready to sacrifice him to save the life of his dying king, the shah. The shah himself watches from behind the tree on the right. At the left, the female personification of the shah’s soul intervenes, saving both the shah and the sentinel’s son. The near sacrifice of the sentinel’s son parallels the Qur'an’s story of Abraham and Ishmael.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.bXu0JZzuKP3PjxIB.u21E66AWg1SIaUG1XnJfd5kOpUoKWTllZ2KmuHNwzppXLA9ymknLSVC8Nmx0lTQ1khkR0epCyUi2ZS5r-WSYFZ_RPHKj5cwSQbVg5dsawZMfNZJRr5s3cmIBPV5PVakFJ2xPs736zoicHKmAL0sb8UaGBb-22sSX0_YnA0SpaNs0jUzoMybGBnxdRA8NUdOWQoNxISs2Y5EmSED2EXox7x4SEtDJQMgRGxrWlmO4s9fsvcHJOzm852kgbj54J1WhQcnPGS2JlqyNKN323N4nBMHDI-2KmJdY38g9K2YykTnHsXaV6wSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.paHlZmJd7nwcD5_Y.hTx84EZFrkYbWTJ6nQcAPDe6XaAetwJTb3gxJQ9VO0yZTnyQphaQZHzl511uSQPWnU45YOpH4K_z_Etza_AL5tx7HGEX15Uhykp9f8xQw3bQn0fTg66ZUC9ZGzOxfOtAKyM8TyxMMKs9pQ2uIkz6T9A8E8thN8-avNvzWAL9s9bRMpZhlXHijvPzyVObz7G0LVNHfkLluempnTSg2JFFvC_9xYAU9KnTecN4-_SEP0aNEXR1lvyyXAnk-05h5j6T4mln8o3tIMxTpLT5qLm_rMc0cyMIV09KqbzF7sT-PPAIBofT
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Gift of Mrs. A. Dean Perry
Provenance
?–1959: Estate of Breckinridge Long [1881–1958], Bowie, MD | 1959–1962?: (Harry Burke Antiques, Philadelphia, PA) | 1959?–1962: (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) | 1962–: The Cleveland Museum of Art, Cleveland, OH

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.

The guard spares the life of the slave when he learns that he is the son of the princess of the Rum, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

The guard spares the life of the slave when he learns that he is the son of the princess of the Rum, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

Cleveland Museum of Art

#137829

The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Cleveland Museum of Art

#137868

The guard restores the son who falls at his mother’s feet, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

The guard restores the son who falls at his mother’s feet, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

Cleveland Museum of Art

#137833

Mahrusa kills herself at the tomb of the king of Zabul, and her husband does likewise, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night

Mahrusa kills herself at the tomb of the king of Zabul, and her husband does likewise, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night

Cleveland Museum of Art

#137660

The pious man’s son presents the slain dragon to the king, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

The pious man’s son presents the slain dragon to the king, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Cleveland Museum of Art

#137862

The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Cleveland Museum of Art

#137630

The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Cleveland Museum of Art

#137460

The son of the king of Babylon sees the Brahman transformed into a woman bathing and falls in love with her, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

The son of the king of Babylon sees the Brahman transformed into a woman bathing and falls in love with her, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

Cleveland Museum of Art

#137646

The king gives his daughter in marriage to the pious man’s son, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

The king gives his daughter in marriage to the pious man’s son, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Cleveland Museum of Art

#137864

The parrot addresses Khujasta at the beginning of the fifty-second night, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

The parrot addresses Khujasta at the beginning of the fifty-second night, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Cleveland Museum of Art

#137851

The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

Cleveland Museum of Art

#137641

The pious man’s wife offers the seven-colored bird as food to her lover, but not finding its head, he breaks the pot and bowl in anger, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

The pious man’s wife offers the seven-colored bird as food to her lover, but not finding its head, he breaks the pot and bowl in anger, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Cleveland Museum of Art

#137857