Cleveland Museum of Art
The merchant returns bringing a young slave who is really the son of the princess of Rum, now married to the king, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
- Date
- c. 1560
- Medium
- gum tempera, ink, and gold on paper
- Culture
- Mughal India, court of Akbar (reigned 1556–1605)
- Department
- Indian and Southeast Asian Art
- Institution
- Cleveland Museum of Art
- Object ID
- 137823
From the Cleveland Museum of Art record
The princess of Rum watches anxiously from an upper window as her son is introduced to the enthroned king. In order to hide his identity, she has told her husband that the young man has expert knowledge of precious gemstones. The king, impressed with the slave’s skill, welcomes him into his court. The artist neglected to paint the white hairs of the fly whisk above the head of the king.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of Mrs. A. Dean Perry
- Provenance
- ?–1959: Estate of Breckinridge Long [1881–1958], Bowie, MD | 1959–1962?: (Harry Burke Antiques, Philadelphia, PA) | 1959?–1962: (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) | 1962–: The Cleveland Museum of Art, Cleveland, OH
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.
The guard spares the life of the slave when he learns that he is the son of the princess of the Rum, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
Cleveland Museum of Art
#137829
The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
Cleveland Museum of Art
#137868
The king’s emissary being provided with gifts for his mission to Rum in order to seek the hand of the emperor’s daughter in marriage, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
Cleveland Museum of Art
#137820
The young man, who has magically taken on the appearance of Mansur the merchant, arrives at his home, from a Tuti-nama (Tales of a Parrot): Seventeenth Night
Cleveland Museum of Art
#137420
The guard restores the son who falls at his mother’s feet, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
Cleveland Museum of Art
#137833
The vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night
Cleveland Museum of Art
#137975
The parrot addresses Khujasta at the beginning of the fiftieth night, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
Cleveland Museum of Art
#137818
The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
Cleveland Museum of Art
#137648
The magic parrot of the merchant talks to the vizier’s son, from a Tuti-nama (Tales of a Parrot): Tenth Night
Cleveland Museum of Art
#137981
The young prince recounts his experiences to his father, the king, from a Tuti-nama (Tales of a Parrot): Eighth Night
Cleveland Museum of Art
#137954
The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
Cleveland Museum of Art
#137630
The king gives his daughter in marriage to the pious man’s son, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
Cleveland Museum of Art
#137864