The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night

Cleveland Museum of Art

The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night

ShravanaLinkedCulture matchlcp-7e0fe0ae4f29

Date
c. 1560
Medium
gum tempera, ink, and gold on paper
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art
Object ID
137942

From the Cleveland Museum of Art record

In order to convince the king that he should not have the prince executed solely on the basis of the handmaiden's accusation, the king's seven viziers each tell a story about the actions of a deceitful woman. This painting depicts the opening scene of the story told by the fifth of seven viziers. An adulterous wife has surreptitiously climbed down from her room to caress a man on the street, whom she wants to take as a lover. In the margin of the painting on this page is an inscription written in Persian identifying the name of the artist Shravana. Bright gold is visible in areas where the paint has flaked away.

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Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Gift of Mrs. A. Dean Perry
Provenance
?–1959: Estate of Breckinridge Long [1881–1958], Bowie, MD | 1959–1962?: (Harry Burke Antiques, Philadelphia, PA) | 1959?–1962: (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) | 1962–: The Cleveland Museum of Art, Cleveland, OH

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