Art Institute of Chicago

Waterloo Bridge, Sunlight Effect

Claude Monet (French, 1840–1926)

Date

1903

Medium

Oil on canvas

Culture

France

Department

Painting and Sculpture of Europe

Institution

Art Institute of Chicago

If not for the fog, Claude Monet once remarked, “London wouldn’t be a beautiful city. It’s the fog that gives it its magnificent breadth.” While working on his London Series , he rose early every day to paint Waterloo Bridge in the morning, moving on to Charing Cross Bridge at midday and in the afternoon. He observed both motifs from his fifth-floor window at the Savoy Hotel. The Art Institute’s two Waterloo Bridge paintings are dated 1900 and 1903, but both were likely begun in 1900 and dated only when Monet felt that they were finished. He worked on all of his London paintings in his studio in Giverny, refusing to send any of them to his dealer until he was satisfied with them as an ensemble.

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