Art Institute of Chicago
Plate one, from A Harlot's Progress
William HogarthLinkedCulture matchlcp-4bc0237dded5
- Date
- 1732
- Medium
- Engraving in black on ivory laid paper
- Culture
- England
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 228937
One of Hogarth’s four major print cycles of “modern moral subjects” based on his paintings, A Harlot’s Progress is a tale of innocence led astray. As indicated by its title, which subverts that of John Bunyan’s popular Christian allegory, the 1678 Pilgrim’s Progress , Hogarth’s project traces a country girl’s loss of purity and resulting imprisonment, illness, and death. Here the gullible girl, Moll Hackabout, is seduced by the promises of a historical madam, Mother Needham, who is dressed respectably to lure naïve London newcomers into her fashionable brothel.
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Provenance & credit
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- Credit line
- The Amanda S. Johnson and Marion J. Livingston Fund
Linked open data
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- Object type
- AAT300041273
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