Art Institute of Chicago
Plate four, from A Harlot's Progress
William Hogarth
- Date
- 1732
- Medium
- Engraving in black on ivory laid paper
- Culture
- England
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
Arrested and thrown into prison, the now prominently pockmarked Moll proves inadequate to the physical labor of beating hemp for hangmen’s nooses. Amid cardsharps and debtors, she appears particularly out of place in her elaborate dress. But she seems destined for even more difficult straits, given that both her former servant and the jailer’s wife are seen here stealing from her.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
Plate three, from A Harlot's Progress
Art Institute of Chicago
Plate two, from A Harlot's Progress
Art Institute of Chicago
Plate six, from A Harlot's Progress
Art Institute of Chicago
Plate five, from A Harlot's Progress
Art Institute of Chicago
Plate one, from A Harlot's Progress
Art Institute of Chicago
Plates four, five, and six from A Harlot's Progress
Art Institute of Chicago
Plate four, from A Harlot's Progress
Art Institute of Chicago
The Hanging, plate eleven from The Miseries of War
Art Institute of Chicago

The two cooks, who attempt to seduce the warrior’s loyal wife, are trapped by her in a cellar, from a Tuti-nama (Tales of a Parrot): Fourth Night
Cleveland Museum of Art

A Rake's Progress, Plate 4
The Metropolitan Museum of Art

Man is threatened by poverty, imprisonment and death, plate #5 from The Misery of Human Life
Minneapolis Institute of Art

Marriage à la Mode, Plate 2
Minneapolis Institute of Art