Ton, ton, ton, ton, ton, t..... “- Be quiet, my wife has a headache!. - Why don't you read a drama in five acts with a similar orchestra! - Stop it... my little one gets the colic!” Ton, ton, ton, ton, taine..., plate 2 from Les Musiciens De Paris

Art Institute of Chicago

Ton, ton, ton, ton, ton, t..... “- Be quiet, my wife has a headache!. - Why don't you read a drama in five acts with a similar orchestra! - Stop it... my little one gets the colic!” Ton, ton, ton, ton, taine..., plate 2 from Les Musiciens De Paris

Honoré Victorin Daumier

Date
1841
Medium
Lithograph in black on ivory wove paper
Culture
France
Department
Prints and Drawings
Institution
Art Institute of Chicago

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“- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société

“- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société

Art Institute of Chicago

“- Alright, alright, I'm coming - one would think the house was on fire! - Enough about your fire!... I'm freezing. For two hours I've been pounding on the door. -(aside) that will teach you next time, not to give a tip!,” plate 32 from Émotions Parisiens

“- Alright, alright, I'm coming - one would think the house was on fire! - Enough about your fire!... I'm freezing. For two hours I've been pounding on the door. -(aside) that will teach you next time, not to give a tip!,” plate 32 from Émotions Parisiens

Art Institute of Chicago

A Difficult Navigation. “- The boat doesn't move! Pull Dumouchel, pull.... why the devil don't you pull! - But I am doing nothing else than that for the last three hours!.... and this is called a pleasure trip! I'd rather sell my prunes in rue de la Verrerie.... that's less tiring!,” plate 6 from Les Canotiers Parisiens

A Difficult Navigation. “- The boat doesn't move! Pull Dumouchel, pull.... why the devil don't you pull! - But I am doing nothing else than that for the last three hours!.... and this is called a pleasure trip! I'd rather sell my prunes in rue de la Verrerie.... that's less tiring!,” plate 6 from Les Canotiers Parisiens

Art Institute of Chicago

The Actor: “- It's obvious that it is hot out there... only three spectators in the audience... should we really start?” The Director: “- And one of them is the refreshments vendor ... quickly raise the curtain before he has a chance to leave,” plate 1 from Paris L'été

The Actor: “- It's obvious that it is hot out there... only three spectators in the audience... should we really start?” The Director: “- And one of them is the refreshments vendor ... quickly raise the curtain before he has a chance to leave,” plate 1 from Paris L'été

Art Institute of Chicago

A Boat-Manoeuvre. The Captain yelling in his trumpet: “- Gabier! There is a squall building up, get ready!..... Clew up all the sails!... That's good:.... very good! - Why didn't you say that to me calmly instead of poking this huge instrument into my ear! Now I am so deaf, I can't see clearly anymore!...,” plate 9 from Les Canotiers Parisiens

A Boat-Manoeuvre. The Captain yelling in his trumpet: “- Gabier! There is a squall building up, get ready!..... Clew up all the sails!... That's good:.... very good! - Why didn't you say that to me calmly instead of poking this huge instrument into my ear! Now I am so deaf, I can't see clearly anymore!...,” plate 9 from Les Canotiers Parisiens

Art Institute of Chicago

“- You must come to have dinner, my wife will eat in town.. it is just us two men! - Ah, the Devil! I have a terrible headache (aside) and his wife is waiting for me!,” plate 7 from Vulgarités

“- You must come to have dinner, my wife will eat in town.. it is just us two men! - Ah, the Devil! I have a terrible headache (aside) and his wife is waiting for me!,” plate 7 from Vulgarités

Art Institute of Chicago

"- My God! Madame Bombec, what happened to you? - Don't mention it, my dear, it's horrible. The world is going from bad to worse, I would rather be janitor at the botanical garden! You know that Bézuchet from the fifth floor, the one that always insists that her good-for-nothing daughter who is fat around the hips has become..... I only replied: Ah, well! - And that's the person who… - Of course, even a blind man can see that!,” plate 30 from Types Parisiens

"- My God! Madame Bombec, what happened to you? - Don't mention it, my dear, it's horrible. The world is going from bad to worse, I would rather be janitor at the botanical garden! You know that Bézuchet from the fifth floor, the one that always insists that her good-for-nothing daughter who is fat around the hips has become..... I only replied: Ah, well! - And that's the person who… - Of course, even a blind man can see that!,” plate 30 from Types Parisiens

Art Institute of Chicago

“- If you only knew how pretty you are!... Pretend you are playing! - stop it.. DO - You don't love me!...SO - I'll' always be yours. ... MI,” plate 6 from Les Musiciens De Paris

“- If you only knew how pretty you are!... Pretend you are playing! - stop it.. DO - You don't love me!...SO - I'll' always be yours. ... MI,” plate 6 from Les Musiciens De Paris

Art Institute of Chicago

Sense of Hearing. “- Wake up Nini!.... I have been calling her for more than an hour, and she always replies: yes Adolphe. But neither the child's name nor mine is Adolphe!,” plate 41 from Types Parisiens

Sense of Hearing. “- Wake up Nini!.... I have been calling her for more than an hour, and she always replies: yes Adolphe. But neither the child's name nor mine is Adolphe!,” plate 41 from Types Parisiens

Art Institute of Chicago

“- Eh! my Didine, have we danced enough? - Oh, don't mention it any more, I am completely worn out - Then take off your stockings and get to bed! - Good grief, no.. really, I'm just too tired!,” plate 56 from Moeurs Conjugales

“- Eh! my Didine, have we danced enough? - Oh, don't mention it any more, I am completely worn out - Then take off your stockings and get to bed! - Good grief, no.. really, I'm just too tired!,” plate 56 from Moeurs Conjugales

Art Institute of Chicago

Une panique. / Traversée des boulevards. / Gâchez séré ! / La presse. / Désagrément d'un mantelet. / Il n'y a plus d'enfants ! / 15.

Une panique. / Traversée des boulevards. / Gâchez séré ! / La presse. / Désagrément d'un mantelet. / Il n'y a plus d'enfants ! / 15.

Musée Carnavalet, Histoire de Paris

“- Times are difficult; this year we must learn to be more modest... - Don't tell me, my dear Ducorneau.... as far as I am concerned, every time I go to the theatre I now deny myself the company of my wife....,” plate 2 from Tout Ce Qu'on Voudra

“- Times are difficult; this year we must learn to be more modest... - Don't tell me, my dear Ducorneau.... as far as I am concerned, every time I go to the theatre I now deny myself the company of my wife....,” plate 2 from Tout Ce Qu'on Voudra

Art Institute of Chicago