“- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier

Art Institute of Chicago

“- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier

Honoré Victorin Daumier

Date
1865
Medium
Lithograph in black on white wove paper
Culture
France
Department
Prints and Drawings
Institution
Art Institute of Chicago

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.

“- Oysters at 25 sous a dozen, horrible!... Even if you gave me 100 sous to eat half a dozen, I would not allow myself such an expense,” plate 18 from Actualités

“- Oysters at 25 sous a dozen, horrible!... Even if you gave me 100 sous to eat half a dozen, I would not allow myself such an expense,” plate 18 from Actualités

Art Institute of Chicago

“What idiots! You paint a religious picture for them and they laugh.... they don't even have a devotion to art!...,” plate 4 from Croquis Pris Au Salon par Daumier

“What idiots! You paint a religious picture for them and they laugh.... they don't even have a devotion to art!...,” plate 4 from Croquis Pris Au Salon par Daumier

Art Institute of Chicago

“- Incredible... but we now have to give the exact weight! - and we can no longer sell bones for meat - and wine really has to be wine! - all together now: It's DISGUSTING!,” plate 4 from Croquis Parisiens

“- Incredible... but we now have to give the exact weight! - and we can no longer sell bones for meat - and wine really has to be wine! - all together now: It's DISGUSTING!,” plate 4 from Croquis Parisiens

Art Institute of Chicago

“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier

“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier

Art Institute of Chicago

“- Just 15 cents for a full bath.... what a deal!,” plate 12 from Croquis Parisiens

“- Just 15 cents for a full bath.... what a deal!,” plate 12 from Croquis Parisiens

Art Institute of Chicago

“- Oh blast! .... it's again my own dog that I shot..... that's the third one in two years.... I'm really not very lucky at hunting!,” plate 6 from Croquis D'automne par Daumier

“- Oh blast! .... it's again my own dog that I shot..... that's the third one in two years.... I'm really not very lucky at hunting!,” plate 6 from Croquis D'automne par Daumier

Art Institute of Chicago

"Would Monsieur like some crêpes?.. - He must have been an undertaker," plate five from Croquis Parisiens (Parisian Sketches)

"Would Monsieur like some crêpes?.. - He must have been an undertaker," plate five from Croquis Parisiens (Parisian Sketches)

Art Institute of Chicago

At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition

At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition

Art Institute of Chicago

“- Still more Venuses this year... always Venuses!... as if there were any women built like that!,” plate 2 from Croquis Pris Au Salon par Daumier

“- Still more Venuses this year... always Venuses!... as if there were any women built like that!,” plate 2 from Croquis Pris Au Salon par Daumier

Art Institute of Chicago

Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier

Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier

Art Institute of Chicago

A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier

A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier

Art Institute of Chicago

“- Citizen, you owe me another five sous for your luggage, and I am even generous because if I wanted to I could count your wife as a second piece of luggage,” plate 457 from Actualités

“- Citizen, you owe me another five sous for your luggage, and I am even generous because if I wanted to I could count your wife as a second piece of luggage,” plate 457 from Actualités

Art Institute of Chicago