“What idiots! You paint a religious picture for them and they laugh.... they don't even have a devotion to art!...,” plate 4 from Croquis Pris Au Salon par Daumier

Art Institute of Chicago

“What idiots! You paint a religious picture for them and they laugh.... they don't even have a devotion to art!...,” plate 4 from Croquis Pris Au Salon par Daumier

Honoré Victorin Daumier

Date
1865
Medium
Lithograph in black on white wove paper
Culture
France
Department
Prints and Drawings
Institution
Art Institute of Chicago

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Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.

“- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier

“- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier

Art Institute of Chicago

“- What? you are pressing the grapes with your feet?… - Sure, and it's not dirty at all… since I took off my shoes!,” plate 1 from Croquis D'automne

“- What? you are pressing the grapes with your feet?… - Sure, and it's not dirty at all… since I took off my shoes!,” plate 1 from Croquis D'automne

Art Institute of Chicago

Exploiting friendship. “My dear Alphonse, I've invited these gentlemen, my friends, to dine at your home. I would like them to taste our champagne, we'll laugh... wait a minute! I've an idea. What if we went to the wood? We could take your barouche and you could lend us some clothes as we only came to pay a simple visite... In the meantime, why don't you give us some cards and some Napoleons to pass the time. Eh? My good Alphonse, dear chap. How about it?,” plate 58 from Caricaturana

Exploiting friendship. “My dear Alphonse, I've invited these gentlemen, my friends, to dine at your home. I would like them to taste our champagne, we'll laugh... wait a minute! I've an idea. What if we went to the wood? We could take your barouche and you could lend us some clothes as we only came to pay a simple visite... In the meantime, why don't you give us some cards and some Napoleons to pass the time. Eh? My good Alphonse, dear chap. How about it?,” plate 58 from Caricaturana

Art Institute of Chicago

Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs

Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs

Art Institute of Chicago

“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier

“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier

Art Institute of Chicago

“- Incredible... but we now have to give the exact weight! - and we can no longer sell bones for meat - and wine really has to be wine! - all together now: It's DISGUSTING!,” plate 4 from Croquis Parisiens

“- Incredible... but we now have to give the exact weight! - and we can no longer sell bones for meat - and wine really has to be wine! - all together now: It's DISGUSTING!,” plate 4 from Croquis Parisiens

Art Institute of Chicago

A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier

A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier

Art Institute of Chicago

A Visit to the Salon. Obviously all the sculptors are a naughty bunch, plate 1 from Tout Ce Qu'on Voudra

A Visit to the Salon. Obviously all the sculptors are a naughty bunch, plate 1 from Tout Ce Qu'on Voudra

Art Institute of Chicago

At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition

At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition

Art Institute of Chicago

Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier

Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier

Art Institute of Chicago

“- Oh blast! .... it's again my own dog that I shot..... that's the third one in two years.... I'm really not very lucky at hunting!,” plate 6 from Croquis D'automne par Daumier

“- Oh blast! .... it's again my own dog that I shot..... that's the third one in two years.... I'm really not very lucky at hunting!,” plate 6 from Croquis D'automne par Daumier

Art Institute of Chicago

“- Still more Venuses this year... always Venuses!... as if there were any women built like that!,” plate 2 from Croquis Pris Au Salon par Daumier

“- Still more Venuses this year... always Venuses!... as if there were any women built like that!,” plate 2 from Croquis Pris Au Salon par Daumier

Art Institute of Chicago