A Marine

Art Institute of Chicago

A Marine

George Inness (American, 1825–1894)LinkedCulture matchlcp-79d923017482

Date
c. 1874–75
Medium
Oil on canvas
Culture
United States
Department
Arts of the Americas
Institution
Art Institute of Chicago
Object ID
68792

George Inness’s rough, energetic brushstrokes evoke the raw beauty and potentially destructive power of the ocean in this dramatic seascape. He created it during a trip to Europe in the early 1870s. It was previously thought to depict Étretat, in Normandy, France, but scholars now believe that the image is of Porto d’Anzio, Italy. The sky is illuminated by patches of orange and white light, outlining the ships and distant town on the horizon. Careful study of the surface of the central rock in the foreground illustrates the artist’s impressive manipulation of paint: by employing shifts in texture and shading, he was able to emphasize distinctions between sun and shadow, wet and dry, and clean and algae-covered. Inness traveled to Europe to study landscape painting with the masters of the Barbizon School, who were known for a personal style that contrasted with the grandiose Hudson River School in America. The influence of this intimate approach is apparent in the painting of the rocks and spraying seawater.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.L2XlMgDFTdFOZcBz.DFa1NlKRwqbuf6jCdrdstncBbBnLkWXUMJcFJuiQ7l3TDi9Q3ukZqZ3_ER6bMAj_Gu16QQNQzhYAeCv8J93sXPk3ZfpofQSJ16d-SPdg83dIY3aj348zWMATe38vsoj_y2B_epLXVC0sy8GNchJ8pRdUWOh3yR2IT80spTuTAuMf4JO-hjV5GaBhV36CvyHf0wDnWJibfGDpLxub1k_Ib_Y6vgA4r_ajGiAYZGPJujfKsDFjnamBJqflh5Wio15wxj3OZJ3SC1m3j2MKR5E9NiTESee at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.9U-Ywb7qfkjI6up2.J-6vYZwCCTvM3KJhpVeElBxDAx1TI9Ibfv3stIdc9oGfhIlSUCjrw_yHGf7PiCp7sDkGSJalMstEQZA8Q7CSh1g2hMpdSJBFKZdaa4wHgxYEUCiIW7JpitK7TlrA458V7Q5BO15Qa5e9IluemiU8znSZA0hu1Ez73VIlVLffU_IkL9HF1oGavrl1TMS-K-6GOSfUENDPux89vySp6fOyELGZV8S4U2WtH9qWC8XVvoOkzoFgjhg0cs8gYobLiBsd0_KhZGm-hD9B3m5E61Fwuw
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Edward B. Butler Collection
Provenance
Harry Reinhardt, New York, by 1913; Edward B. Butler, Chicago, 1913; given to the Art Institute of Chicago, 1913.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300033618

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.