Art Institute of Chicago
Jacob's Farewell to Benjamin
Follower of Rembrandt van Rijn (Dutch, 1606–1669)LinkedCulture matchlcp-b646787099c7
- Date
- c. 1655
- Medium
- Oil on canvas
- Culture
- Netherlands
- Department
- Painting and Sculpture of Europe
- Institution
- Art Institute of Chicago
- Object ID
- 87633
From the Art Institute of Chicago record
This scene of kinship between men has been interpreted as the biblical figure Jacob granting permission to his youngest son, Benjamin, to travel with his brothers to Egypt. The artist, an unknown follower of Rembrandt van Rijn, conveyed Jacob’s ambivalent emotional state by presenting the boy with his back to the viewer. Rembrandt and his followers treated this subject many times, as the Protestant art market in the Dutch Republic valued scenes of faith and loyalty but lacked the Catholic interest in martyrdom.
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Provenance & credit
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- Credit line
- Wilson L. Mead Fund
- Provenance
- Herbert L. Terrell (died 1909), New York; by descent to his daughter Bertha Terrell Buckley (died 1937), Moundsmere Manor, Basingstoke; sold Sotheby’s, London, 23 June, 1937, no. 122, as Eli and Samuel by Barent Fabritius to Knoedler for £2,900 [for buyer and price see Art Prices Current 1937]; M. Knoedler and Co., New York and London; sold to the Art Institute, 1937.
Linked open data
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- Object type
- AAT300033618
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