
Cleveland Museum of Art
The Race Track (Death on a Pale Horse)
Albert Pinkham Ryder
- Date
- c. 1896–1908
- Medium
- oil on canvas
- Culture
- America
- Department
- American Painting and Sculpture
- Institution
- Cleveland Museum of Art
Ryder’s subject was inspired by a horse race that took place in New York during 1888. One of the artist’s friends wagered $500 on the race and then died by suicide after the horse lost. Medieval symbolism infuses the composition: death appears as a skeleton on horseback holding a scythe with which he cuts down the living, while a snake—a sign of temptation and evil—slithers in the foreground. An intense man, Ryder worked on the painting for several years and was deeply reluctant to part with it. Counterclockwise horse racing in the United States was not standardized until the 1920s.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

The Race of the Riderless Horses
Getty Museum

Knight, Death, and the Devil
Minneapolis Institute of Art
Death on a Pale Horse
Art Institute of Chicago
The Races at Longchamp
Art Institute of Chicago

Horse and Rider
Cleveland Museum of Art

Death on Horseback Chasing a Flying Knight
Cleveland Museum of Art
How the Horses Died for Their Country at Santiago
Art Institute of Chicago
Wild Horse or Frightened Horse Leaving the Water
Art Institute of Chicago

Death of Hippolytos
Getty Museum

Horse Race at the Kamo Shrine
Cleveland Museum of Art
Death on a White Horse
Art Institute of Chicago

Horse Race at the Kamo Shrine
Cleveland Museum of Art