Cleveland Museum of Art

Uzume no Mikoto from The Cave Door of Spring

Totoya Hokkei

Date

1825

Medium

third from a pentaptych of woodblock prints; ink and color on paper

Culture

Japan, Edo period (1615–1868)

Department

Japanese Art

Institution

Cleveland Museum of Art

These elegant surimono prints come from a set of five images inspired by the legend of the Shinto Supreme Sun Goddess, Amaterasu. She was once so offended by her brother that she retreated into a cave, leaving the earth in darkness. Several attempts to lure her out with cocks crowing, music-making, and a goddess dancing failed, but a mirror hung from a nearby tree made Amaterasu curious, bringing her to the entrance of the cave. A stone was quickly placed at the entrance to block her way back into the cave, and light was restored to the world. Each print is set against a blue evening sky with embossed clouds enriched with gold, silver, and copper.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.