
Cleveland Museum of Art
Fight Between a Tiger and a Buffalo
Henri RousseauLinkedCulture matchlcp-1dfee52d47c2
- Date
- 1908
- Medium
- oil on fabric
- Culture
- France, late 19th-early 20th Century
- Department
- Modern European Painting and Sculpture
- Institution
- Cleveland Museum of Art
- Object ID
- 126769
From the Cleveland Museum of Art record
Having never ventured outside France, Henri Rousseau derived his jungle scenes from reading travel books and visiting the Paris botanical garden. He placed this imaginary scene of a tiger attacking a buffalo within a fantastic jungle environment in which botanical accuracy was of little importance (note the bananas growing upside down). Here, sharply outlined hothouse plants are enlarged to fearsome proportions. Rousseau was working on this painting while imprisoned for fraud in December 1907. Officials granted him an early release to finish it for exhibition at the Salon des Indépendants, where this major composition, one of the artist's largest and most important, appeared in March 1908. A self-taught artist and retired customs inspector, Rousseau was admired by Pablo Picasso and other avant-garde artists for his originality and the naïve purity of his vision. Many of Henri Rousseau's paintings depict wild animals and tropical jungles that might lead one to believe he traveled widely. However, Rousseau never left France, but drew inspiration from visiting botanical gardens and reading travel books.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of the Hanna Fund
- Provenance
- Bought from the artist by Ambroise Vollard on 14 December 1909. | Bought by John Quinn, New York, October 1923. | Quinn estate from 1924. | Mrs. John Alden Carpenter, Chicago, by 1926. | Mrs. Patrick J. Hill, Washington D.C. | [Pierre Matisse Gallery, New York, 1948] | Purchased by the Cleveland Museum of Art on 14 June 1949.
Part of a LinkedCulture topic
French Equestrian LithographyThese prints are connected by their French origin, lithographic printing technique, and shared subject matter depicting horses, riders, and military cavalry scenes from the 19th century.
77 objects from 5 institutions
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