Fight Between a Tiger and a Buffalo

Cleveland Museum of Art

Fight Between a Tiger and a Buffalo

Henri RousseauLinkedCulture matchlcp-1dfee52d47c2

Date
1908
Medium
oil on fabric
Culture
France, late 19th-early 20th Century
Department
Modern European Painting and Sculpture
Institution
Cleveland Museum of Art
Object ID
126769

From the Cleveland Museum of Art record

Having never ventured outside France, Henri Rousseau derived his jungle scenes from reading travel books and visiting the Paris botanical garden. He placed this imaginary scene of a tiger attacking a buffalo within a fantastic jungle environment in which botanical accuracy was of little importance (note the bananas growing upside down). Here, sharply outlined hothouse plants are enlarged to fearsome proportions. Rousseau was working on this painting while imprisoned for fraud in December 1907. Officials granted him an early release to finish it for exhibition at the Salon des Indépendants, where this major composition, one of the artist's largest and most important, appeared in March 1908. A self-taught artist and retired customs inspector, Rousseau was admired by Pablo Picasso and other avant-garde artists for his originality and the naïve purity of his vision. Many of Henri Rousseau's paintings depict wild animals and tropical jungles that might lead one to believe he traveled widely. However, Rousseau never left France, but drew inspiration from visiting botanical gardens and reading travel books.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.RVaCGYXvssgm5aDO.z0_eysN4Tj41zWXffeUvXttwET-Ovj5Pi0UrRHHAdMze1NUhVoZXIS3qJEAETuIMpuQpzKSJO4xB-rRF8RncBW406y8Yc2OSXXsrn_EyvNjQdja_j1qD6IvUUd0ducvN3vF3mFsOLHeVHwJkiFreJZ_feJpQ81Z2SQsvRf-b1p19C1pegStowiwmOjj8r9Nwcvx2AQLlKrEfG_634Zi_CS8f0m0yWSBSzpbVFSmNY_yE5TL2ItDcW_P78Ln7Qt_E1fNaOewwbOHYYxUGdjLto_p3Eg7baJkNwBkTyW90IhQGnGRSaQSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.IcOiHb2OPdf0dQAg.53eTiTfKlSxMLGEfDlM8JGmWOV7ZJy7IJINz1Bw8LtRz8ivi_czLPeLDw_yaWCKmzw54bT33Q2XUzqrJpd-z4F34XS7oHai5TbV1WyciArt-TeXRfT_qunROitsjkBKmclw0A4t-j3L2SwekPw79B_lo1je08I3LzloZmo9fQvCweSDxrlIAMu1VCJBhcVcl1CTRCGzU3mYxcK3i-ZCya_DUfitjCTG3p3ZoPIEkJk4YXNm5CNqKppf7weJfrdWKrkiMRhIkU8YtJi9BOjD2wiKoRYPF-92lWjESdmk-hA
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Gift of the Hanna Fund
Provenance
Bought from the artist by Ambroise Vollard on 14 December 1909. | Bought by John Quinn, New York, October 1923. | Quinn estate from 1924. | Mrs. John Alden Carpenter, Chicago, by 1926. | Mrs. Patrick J. Hill, Washington D.C. | [Pierre Matisse Gallery, New York, 1948] | Purchased by the Cleveland Museum of Art on 14 June 1949.

Part of a LinkedCulture topic

  • Representative object from the topic French Equestrian Lithography
    French Equestrian Lithography

    These prints are connected by their French origin, lithographic printing technique, and shared subject matter depicting horses, riders, and military cavalry scenes from the 19th century.

    77 objects from 5 institutions

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.