Portrait of Thomas Hobbes

Cleveland Museum of Art

Portrait of Thomas Hobbes

Samuel CooperLinkedCulture matchlcp-baec0a9d1882

Date
c. 1660
Medium
watercolor on vellum in a gilt metal frame
Culture
England, 17th century
Department
European Painting and Sculpture
Institution
Cleveland Museum of Art
Object ID
127231

From the Cleveland Museum of Art record

In his seventies when the portrait was painted, Thomas Hobbes (1588–1679) is turned slightly to his left, his eyes directed at the spectator. He has thin gray hair extending to his collar and a gray mustache and goatee. Only his head is finished; a thin gray wash loosely describes a plain, flat collar. Hobbes was born in Malmesbury, Wiltshire. In spite of humble parentage, he rose to prominence as a brilliant linguist and author of the 1651 book Leviathan , a seminal work of social contract theory that advocated for government led by a strong sovereign. As a royalist he was forced to flee England when the civil war broke out in 1642, and he resided in France until the war’s end in 1651. He was a friend of Cooper, who painted his miniature on at least two occasions. A replica of Cleveland’s miniature was painted by Lady Margaret Bingham, Countess of Lucan.

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Provenance & credit

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Credit line
The Edward B. Greene Collection
Provenance
c. 1660-72: Samuel Cooper (1608/09-1672), promised by the artist to John Aubrey (1626–1697, England) but never changed hands; by inheritance to his wife, Christiana Cooper | 1672-c.1693: Christiana Cooper (née Turner, 1623–1693) | By 1970-: William Cavendish, 5th Duke of Devonshire (1748–1811) | March 1932: (Sale: Christie, Manson & Woods, London, March 1932). | (Leo Schidlof (1886-1966), Paris, France, sold to Edward B. Greene) | -1949: Edward B. Greene (1878-1957), Cleveland, OH, gifted to the Cleveland Museum of Art | 1949-: The Cleveland Museum of Art, Cleveland, OH

Part of a LinkedCulture topic

  • Representative object from the topic English Portrait Miniatures
    English Portrait Miniatures

    A collection of portrait miniatures from 17th-18th century England, predominantly featuring watercolor on ivory or graphite and wash techniques, representing the tradition of intimate personal portraiture in miniature fo

    221 objects from 4 institutions

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