Cleveland Museum of Art
A woman with two children, having abandoned her home, goes into the forest where she encounters a leopard, from a Tuti-nama (Tales of a Parrot): Thirtieth Night
- Date
- c. 1560
- Medium
- gum tempera, ink, and gold on paper
- Culture
- Mughal India, court of Akbar (reigned 1556–1605)
- Department
- Indian and Southeast Asian Art
- Institution
- Cleveland Museum of Art
A woman described as ill-tempered and quarrelsome was beaten by her husband, so she fled with her children into the wilderness. A fearsome leopard approached them, hoping to carry the children away for a meal. Thinking quickly, the woman offered the leopard one of her children and half of her own body, stating that a lion has staked claim to the other half. Fearing rivalry with the lion, the leopard quickly fled. The gold sky and arid landscape in shades of pink and blue derive from painting styles of northwestern Iran, but the woman’s dress is the tied blouse and wrapped skirt of India. The woman is described as bad-tempered, quarrelsome, sharp-tongued, gossipy, and peevish.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.
The woman conversing with her children, as the leopard returns, egged on by a fox who is tied to his leg, from a Tuti-nama (Tales of a Parrot): Thirtieth Night
Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Thirtieth Night, from a Tuti-nama (Tales of a Parrot)
Cleveland Museum of Art
The parrot addresses Khujasta at the beginning of the fortieth night, from a Tuti-nama (Tales of a Parrot)
Cleveland Museum of Art
The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night
Cleveland Museum of Art
The pious man’s wife offers the seven-colored bird as food to her lover, but not finding its head, he breaks the pot and bowl in anger, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Twenty-Fourth Night, from a Tuti-nama (Tales of a Parrot)
Cleveland Museum of Art
The merchant’s daughter encounters a wolf and bandits on her way to meet the gardener in order to keep her promise, from a Tuti-nama (Tales of a Parrot): Twelfth Night
Cleveland Museum of Art
The parrot addresses Khujasta at the beginning of the fifty-second night, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
Cleveland Museum of Art
The parrot addresses Khujasta at the beginning of the thirty-second night, from a Tuti-nama (Tales of a Parrot)
Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Twelfth Night, from a Tuti-nama (Tales of a Parrot)
Cleveland Museum of Art
The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night
Cleveland Museum of Art
The mendicant’s wife deceives him with a soldier, from a Tuti-nama (Tales of a Parrot): Fourth Night
Cleveland Museum of Art