The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Night

Cleveland Museum of Art

The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Night

Bihzad

Date
c. 1560
Medium
gum tempera, ink, and gold on paper
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art

Three men kneel in the bowels of a dark cave where they have been trapped while seeking hidden treasure. Fearful and desperate, they suddenly hear a disembodied voice that orders them to confess their transgressions. As each man speaks, a portion of the boulder disappears, and they are ultimately freed. This painting is attributed to Bihzad, the son of Abd al-Samad the Persian master of the Mughal court.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.

The Parrot Addresses Khujasta at the Beginning of the Twenty-Fourth Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Twenty-Fourth Night, from a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art

The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

Cleveland Museum of Art

The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

Cleveland Museum of Art

The four destitute friends go to a wise man who gives each one of them a magic shell to be placed on top of the turban, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night

The four destitute friends go to a wise man who gives each one of them a magic shell to be placed on top of the turban, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night

Cleveland Museum of Art

Khurshid reunited with her husband Utarid, from a Tuti-nama (Tales of a Parrot): Thirty-second Night

Khurshid reunited with her husband Utarid, from a Tuti-nama (Tales of a Parrot): Thirty-second Night

Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Twenty-third Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Twenty-third Night, from a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art

The bag of gold which he received for the slave girl being stolen in a mosque, the young man of Baghdad tears his cloths and is about to fling himself into the Tigris, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night

The bag of gold which he received for the slave girl being stolen in a mosque, the young man of Baghdad tears his cloths and is about to fling himself into the Tigris, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night

Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Eighth Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Eighth Night, from a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art

The street cleaner, on his way to meet King Bhojaraja, sleeps under a tree where four thieves disguised as fellow travelers deprive him of a priceless pearl, from a Tuti-nama (Tales of a Parrot): Twelfth Night

The street cleaner, on his way to meet King Bhojaraja, sleeps under a tree where four thieves disguised as fellow travelers deprive him of a priceless pearl, from a Tuti-nama (Tales of a Parrot): Twelfth Night

Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the forty-ninth night, from a Tuti-nama (Tales of a Parrot): Forty-Ninth Night

The parrot addresses Khujasta at the beginning of the forty-ninth night, from a Tuti-nama (Tales of a Parrot): Forty-Ninth Night

Cleveland Museum of Art

Repenting his conduct, ‘Ubaid falls at the feet of his parents, from a Tuti-nama (Tales of a Parrot): Forty-second Night

Repenting his conduct, ‘Ubaid falls at the feet of his parents, from a Tuti-nama (Tales of a Parrot): Forty-second Night

Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the forty-third night, from a Tuti-nama (Tales of a Parrot)

The parrot addresses Khujasta at the beginning of the forty-third night, from a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art