
Cleveland Museum of Art
Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night
- Date
- c. 1560
- Medium
- gum tempera, ink, and gold on paper
- Culture
- Mughal India, court of Akbar (reigned 1556–1605)
- Department
- Indian and Southeast Asian Art
- Institution
- Cleveland Museum of Art
Shahr-Arai’s husband hides under his wife’s bed in an attempt to catch her in a love affair. Despite his precautions, the ends of his purple robe peek out from beneath the bed. When Shahr-Arai sees this, she quickly concocts a plan to trick her husband and protect her lover. Shahr-Arai loudly proclaims that her lover is an adopted brother who will protect the husband’s life.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

Shahr-Arai and her husband adopt her lover as a brother in the family, from a Tuti-nama (Tales of a Parrot): Fortieth Night
Cleveland Museum of Art

Shahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night
Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the fortieth night, from a Tuti-nama (Tales of a Parrot)
Cleveland Museum of Art

A woman asks her lover to leave her house, brandishing his sword and feigning rage in order to deceive her husband who has just arrived, from a Tuti-nama (Tales of a Parrot): Eighth Night
Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Twelfth Night, from a Tuti-nama (Tales of a Parrot)
Cleveland Museum of Art

The farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night
Cleveland Museum of Art

The two cooks, who attempt to seduce the warrior’s loyal wife, are trapped by her in a cellar, from a Tuti-nama (Tales of a Parrot): Fourth Night
Cleveland Museum of Art

The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night
Cleveland Museum of Art

The deceitful wife persuades her husband to sleep in the same place where she had previously slept with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night
Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Twenty-Fourth Night, from a Tuti-nama (Tales of a Parrot)
Cleveland Museum of Art

In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
Cleveland Museum of Art

The mendicant’s wife deceives him with a soldier, from a Tuti-nama (Tales of a Parrot): Fourth Night
Cleveland Museum of Art