
Cleveland Museum of Art
The farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night
- Date
- c. 1560
- Medium
- gum tempera, ink, and gold on paper
- Culture
- Mughal India, court of Akbar (reigned 1556–1605)
- Department
- Indian and Southeast Asian Art
- Institution
- Cleveland Museum of Art
The unfaithful wife and her lover were discovered by her father-in-law in their rendezvous place. Thinking she was asleep, he took her anklet as evidence of her infidelity, planning to confront her with it later. The lovers, still in bed, were awakened and witnessed him leaving by the gate, holding her anklet. Under the bed are a pitcher and basin for water, a dish of breath-freshening and mildly narcotic pan leaves, along with bottles of perfumes, all the accoutrements for a romantic encounter. Areas of the original, orange paint are visible beneath the lovers’ bed.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

The deceitful wife persuades her husband to sleep in the same place where she had previously slept with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night
Cleveland Museum of Art

A woman asks her lover to leave her house, brandishing his sword and feigning rage in order to deceive her husband who has just arrived, from a Tuti-nama (Tales of a Parrot): Eighth Night
Cleveland Museum of Art

The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night
Cleveland Museum of Art

The deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night
Cleveland Museum of Art

The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night
Cleveland Museum of Art

The unfaithful wife explaining away the presence of the dough elephant, from a Tuti-nama (Tales of a Parrot): Eighth Night
Cleveland Museum of Art

The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night
Cleveland Museum of Art

The lover’s son makes an elephant of the pastry dough carried by the unfaithful wife and puts it in her basket, from a Tuti-nama (Tales of a Parrot): Eighth Night
Cleveland Museum of Art

The deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night
Cleveland Museum of Art

The two cooks, who attempt to seduce the warrior’s loyal wife, are trapped by her in a cellar, from a Tuti-nama (Tales of a Parrot): Fourth Night
Cleveland Museum of Art

Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night
Cleveland Museum of Art

The husband berates his wife for purchasing gravel instead of sugar, from a Tuti-nama (Tales of a Parrot): Eighth Night
Cleveland Museum of Art