
Cleveland Museum of Art
Headdress (chi wara)
- Date
- early to mid-1900s
- Medium
- Wood, cowrie shells, glass beads, possibly aluminum, iron alloy, upholstery studs, and natural fibers
- Culture
- Africa, West Africa, Mali, Bamana-style blacksmith-carver
- Department
- African Art
- Institution
- Cleveland Museum of Art
- Object ID
- 141744
From the Cleveland Museum of Art record
Chi wara —a mythical “farming beast”—was said to teach farming to the Bamana people. Carved patterns cover this female chi wara’s body, highlighting its muscles and emphasizing that it is no earthly animal, but rather an agricultural spirit that combines human, antelope, and anteater elements. This example wears earrings and a nose ring of imported metals and beads. Its carver—a blacksmith—used a naturalistic style common south of the city of Bamako. Accompanied by women’s songs, male performers danced paired male-and-female chi wara headdresses affixed to basketry caps at agricultural competitions and weddings. Chi wara headdresses look different depending on the region they were made in. The style of this example tells us it was likely made in the Djitoumou region of southern Mali.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of Mrs. Ralph M. Coe in memory of Ralph M. Coe
- Provenance
- 1954: (J.J. Klejman Gallery, New York, NY) | 1954-1965: Mrs. Ralph M. Coe [Dorothy deWolf Tracey, 1890-1966] Cleveland, OH, given to the Cleveland Museum of Art, Cleveland, OH | 1965-: The Cleveland Museum of Art, Cleveland, OH
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.