
Cleveland Museum of Art
Aizen Myōō
- Date
- early 1300s
- Medium
- Wood with black lacquer and red pigments
- Culture
- Japan, Kamakura period (1185–1333)
- Department
- Japanese Art
- Institution
- Cleveland Museum of Art
The Buddhist deity Aizen Myōō channels carnal desire into a lust for spiritual enlightenment. In its principal right arm, this figure once held a vajra , a symbolic weapon used to cut through illusion, while its main left arm still grasps the vajra bell rung to bring one to awareness. The lion’s head in Aizen’s hair holds its mouth open to devour thoughts and desires. Holes along the front of the legs show where the sculpture’s base would have been attached. The torso, head, and legs of this figure were carved from a single block of wood. Four of the arms were carved separately.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

Aizen Myōō, The Wisdom King of Passion
Minneapolis Institute of Art

Aizen Myōō, The Wisdom King of Passion
Minneapolis Institute of Art

Aizen Myōō
Cleveland Museum of Art

Mirror with Aizen Myōō, turtle, and cranes
Minneapolis Institute of Art

Vajravarahi
Cleveland Museum of Art
Fudo Myo-o
Art Institute of Chicago
Bishamon
Art Institute of Chicago
Gozanze Myo-o
Art Institute of Chicago

Yamantaka Vajrabhairava and consort Vajravetali
Cleveland Museum of Art

Bonten, the Creator
Minneapolis Institute of Art
Tantric Enlightened Being (Vajrayogini) Queen of Bliss (Dechen Gyalmo)
Art Institute of Chicago
Tantric Female Enlightened Being (Vajrayogini) Holding a Skull Cup
Art Institute of Chicago