Pastries, Talmouses, All Hot

Cleveland Museum of Art

Pastries, Talmouses, All Hot

François BoucherLinkedCulture matchlcp-8b3762df2461

Date
c. 1737
Medium
black and red chalks on paper
Culture
France
Department
Drawings
Institution
Cleveland Museum of Art
Object ID
691427

François Boucher made the drawing as a print design for a series depicting Parisian tradespeople, titled the Cris de Paris (Criers of Paris), which consisted of 12 plates. Subjects in the series included this vendor of hot pastries and cheese puffs as well as a variety of other vendors such as a knife grinder, broom seller, chimney sweep, and vegetable seller. Boucher was known primarily for images epitomizing the elegant court life of France—nudes, decorative compositions, and pastorals—rather than so-called “low life” subjects such as street vendors. Boucher’s series struck a chord with the growing middle-class print-buying public in France, with its designs migrating to a variety of decorative arts and porcelain figurines. Despite its subject of a street vendor, Boucher’s composition retains some of the courtly artificiality of his age, with an elegantly dressed young gentleman and unkempt baker’s apprentice whose pose is nonetheless balletic, like a dancer at a courtly fête.

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Open this page QR destination: https://linkedculture.org/q/q1.yIm8u8N4wtoT4xyu.BYG2bllzCutU548SzoWwZRna_1f7GO3KzWbmGVkWPwS1OPIfx5f15RuVw4ZENCalXQdfvBFdRsXAef_Y0Esfkm8r1_rsYolJcorHmfsR8ihdEm_87s_Ye5yRdfBjCeP3KlnDY8S2BhuUZu4kERHPBbz4vflM_xw5DzIktX7Z_ib7uCcTTKTV6CuXTSBM4be566IfDRG60-HQ10ourF6u538KVVzzUmZASwpd8VMcsPeAklLLlHD5h4h-R_duqR8yPEsATSBpKV5-1gQwThlvMzAix0VkdyDVsxZsWdTtmWorjzbgmgSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.xhOQ7cxc-mfhIIdp.mmgs0qUlt9RixFFxAflWNzSA5bxcA39TnvHcXHB5uDuYidg6TPcmjYd-A6S_4xb1c0sLss3BCGVi5Ma3vvcDr1uHQM054AdxmveZ081oDudlx8rzm2dxcU0WczEEFlJZua4WZhjZVOGAAdidlU3v0feqhba0N7oWWfylaDeATFMzJ250QRtsqgIav8ujvp6nX8mbROQOZGtV48qe3GYSNKaYlZTBY0eEStgwEKT3pB44iTZKdqWNVLllb8swg21s_UL3ZaVF3ZvNchYEdQtK20E04epWY_aaSvNDiVJ_VQ
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Provenance & credit

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Credit line
Severance and Greta Millikin Purchase Fund
Provenance
1772: possibly Gabriel Huquier sale, Joullain Paris, 1772 | Verdelot family, France | By descent to Madeleine Goudchaux née Verdelot (1930-2015), Tunisia, Paris, Lyon, Hossegor | By descent to her heirs [Valérie and Christophe Tournier and Jacques Goudchaux, Bordeaux] | Sold, Hotel des Ventes Bordeaux Quinconces | 2022–25: (W.M. Brady & Co., Inc., New York, NY, sold to The Cleveland Museum of Art, Cleveland, OH | June 9, 2025–: The Cleveland Museum of Art, Cleveland, OH

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