Harvard Art Museums
Morning Fog
Jasper Francis CropseyLinkedCulture matchlcp-66e62b488608
- Date
- c. 1854-1855
- Medium
- Oil on artist's board
- Culture
- American
- Department
- Department of American Paintings, Sculpture & Decorative Arts
- Institution
- Harvard Art Museums
- Object ID
- 50600
From the Harvard Art Museums record
What do you see? What might you hear in such a place? Situated where land, sea, and sky meet, we gaze out across the Atlantic Ocean at midmorning. A much-reduced palette and nearly imperceptible brushwork lend this painting of coastal fog a suffused luminosity that speaks to broader cultural tensions. Landscape and maritime painting flourished across the Americas in the 19th century. As countries won autonomy from European powers, artists fortified burgeoning national identities with lush, atmospheric scenes meticulously composed. The advent of geology and photography provided many countries, including the United States, with domestic art movements. “Littoral,” or shore, scenes grew in prevalence as political tensions around abolition, expansionism, and industrialization rose.For Cropsey, the rocky shores of Rhode Island symbolized the contradictions at the heart of cultural discourse. What were spaces of beauty, leisure, and spiritual renewal for some were unceded homelands and spaces of commerce, death, and hard labor for others.
The authoritative record is held by Harvard Art Museums. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Provenance
- Mrs. Richard (Helen Rutherfurd, née Ely) Meade, by 1936. City Art Museum of Saint Louis, 1936, deaccessioned and sold [through Kende Galleries at Gimbel Brothers, New York, September 21-22, 1945, lot 226]. [1] [Alexander Gallery, New York, by 1979 as "Coastal View"]. [Adams Davidson Galleries, Washington, D.C., 1980, as "Sprouting Rock, Newport"]. [Frank Green of Fran-Glow Fine Arts, London, 1980]. Private Collection, England. [Berry-Hill Galleries, Inc., New York, 2000]. [Questroyal Fine Arts, New York] sold; to Theodore E. Stebbins, Jr., 2002, gift; to Harvard Art Museums, 2018 Notes [1] The painting was first offerd for sale through Kende Galleries at Gimbel Brothers on May 4,1945 as lot 5. The lot was unsold in that sale.
Part of LinkedCulture topics
American Landscape and Coastal PaintingsThese works are 19th-century oil paintings depicting natural landscapes and seascapes from the northeastern United States, particularly coastal New England regions and rocky shores.
140 objects from 4 institutions
American Watercolor Landscape ArtThese objects are predominantly watercolor and drawing works by American artists depicting natural landscapes, outdoor recreational activities, and coastal or wilderness scenes from the 19th century.
63 objects from 3 institutions
Related across collections
Semantically similar works from Harvard Art Museums and other institutions.

Early Morning After a Storm at Sea
Cleveland Museum of Art
#106088
Rocky Coast
Art Institute of Chicago
#145805
A Marine
Art Institute of Chicago
#68792

White Shed, Fox River, Gaspé
Getty Museum
#485f84b9-98ec-466c-80f3-707c5efa6a31

A Foggy Sky
The Metropolitan Museum of Art
#11308
Cows in a Pond at Sunset
Art Institute of Chicago
#72398
The End of the Day, Adirondacks
Art Institute of Chicago
#16785

Coast View with the Abduction of Europa
Getty Museum
#01e5106c-a924-4e6e-8c90-6115f4a6a26d
Stoke-by-Nayland
Art Institute of Chicago
#4758
Coast of Maine
Art Institute of Chicago
#8971

A Storm on a Mediterranean Coast
Getty Museum
#1128e7af-1aca-473a-9f35-c405ddfb82b5
Nantasket Beach
Art Institute of Chicago
#39691