Minneapolis Institute of Art

Page from the Qur’an

Calligrapher: Muhammad ibn Ahmad ibn Yasin

Date

993

Medium

Ink, colors, and gold on paper

Department

Asian Art

Institution

Minneapolis Institute of Art

This double-sided page was once part of a monumental Qur’an consisting of over 1, 300 pages in four volumes. The calligrapher Muhammad ibn Ahmad ibn Yasin, whose signature appears on the Qur’an, demonstrates how copying and adorning the word of God would have been a form of both religious and artistic expression. He was especially skilled in exploiting the qualities of the qalam , a reed pen that was cut at an angle so that the ink could be applied at different pressures and slants. These four well-ordered lines are written in an innovative, transitional script called “broken cursive, ” noted for its sharp angles and variety in the size of its letters and width of its strokes. In this rhythmic composition, the long letters below the baseline visually propel the eye forward through the text (Arabic text is read right to left). The text itself is from chapter 54 of the Qur’an; each of the four verses (27–31) is marked with a gilded rosette, while the medallion in the margin marks the end of 10 verses. Iran, Asia

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