Preston Ponds, Adirondacks

From the Minneapolis Institute of Art record

Admired for panoramic views of the Hudson River Valley, Homer Dodge Martin was particularly concerned with evoking the spirit and mood of nature. Influenced by the landscapists Thomas Cole and John F. Kensett, he preferred to paint naturalistic scenes of the Catskill and Adirondack mountains in New York state. In Hudson River Landscape, probably completed in the mid-1860s, Martin carefully detailed the light, atmosphere, and space of the idyllic riverbed. His use of naturalistic color and a balanced composition further enhances the inherent beauty and tranquility of the setting. He included distant figures only as a visual reminder of humankind's insignificance in the face of nature's imposing majesty. Like many of his contemporaries, Martin usually painted his landscapes back in his studio, working from memory or preliminary sketches. United States, Americas