
Minneapolis Institute of Art
Study for Improvisation V
Vassily Kandinsky
- Date
- 1910
- Medium
- Oil on pulp board
- Department
- European Art
- Institution
- Minneapolis Institute of Art
This landscape evokes Biblical stories of the Apocalypse, which foretold Christ's second coming. In the foreground, a woman in blue kneels before a tall figure with streaming golden hair, possibly Christ, while in the background two horsemen of the Apocalypse vault a fence. As a pioneer of abstract painting, Vassily Kandinsky thought art could make inner truths visible. An improvisation, he said, was a largely unconscious, spontaneous expression of inner character, or non-material (i.e., spiritual) nature. Kandinsky wanted painting to function like music, using colors and forms like melodies and rhythms—abstractly—to summon emotion. Frame: Gift of Galerie Thomas, Munich, Germany. Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.
Improvisation No. 30 (Cannons)
Art Institute of Chicago

Klänge (Sounds)
Minneapolis Institute of Art

Uber das Geistige in der Kunst
Minneapolis Institute of Art

Saint Alexandr Nevsky
Minneapolis Institute of Art

Christ and the Adulteress
Getty Museum

Holy Vision (Apparition)
Minneapolis Institute of Art

Studies of Hands Playing Instruments (verso)
Cleveland Museum of Art

The Agony in the Garden
Getty Museum
The Adoration of the Christ Child
Art Institute of Chicago

Kleine Welten IV
Minneapolis Institute of Art

Miniature from a Manuscript of the Apocalypse: The Woman Clothed with the Sun and The War in Heaven
Cleveland Museum of Art

Am Strande
Minneapolis Institute of Art