Minneapolis Institute of Art

Vase

China

Date

618–799

Medium

Yue ware Porcelaneous stoneware with celadon glaze

Department

Asian Art

Institution

Minneapolis Institute of Art

This finely crazed, or crackled celadon exemplifies the best Chinese monochromes, whose beauty depends on their well-proportioned, restrained shapes and flawless, single-color glazes. In fact, the visual subtleties of monochromes stand in stark contrast to the polychromed exuberance of Tang tomb figurines. The Tang preference for monochrome ceramics was rooted in the sophisticated tastes of the previous Sui dynasty (589-618) and its admiration for certain all-white wares. By discarding the complex shapes and flamboyant ornament associated with western Asiatic taste, Tang potters created green, white and black ceramics that reassert a native preference for simple forms and single uniform colors. These aesthetic values, in turn, led to the great celadon and monochrome porcelains of the subsequent Song and Qing dynasties. China

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